Wednesday, November 23, 2022

Deathstroke Inc. #15 Review

 

I mean it's alright 


Year One - Part 6 

Writer: Ed Brisson 
Artist: Dexter Soy
Colorist: Veronica Gandini
Letterer: Steve Wands
Editor: Paul Abernathy
Cover: Mikel Janin 


This time I want to talk about the cover for a second. Why only 2 of Slade's kids are there? Why Rose is there if she is not in the comic? It's hard for me explain it but this cover makes little to no sense to me. Anyway, and the comic? It's... ok. I loved the first issues but the ending here lacks punch. Year one biggest selling point was seeing some of Slade's feelings about his life that we never knew but the conclusion for this arc has nothing new for us. And nothing with real impact happens, the ending is predictable. This is not a bad comic by any means, it's fun and a good read but it offers nothing new. 



Tuesday, November 15, 2022

DC vs. Vampires: All-Out War #5 Review

 

Good news, the bus is back! 


All-out war, Part 5


Writer: Matthew Rosenberg and Alex Paknadel
Artist: Pasquale Qualano
Colorist: Nicola Righi
Letterer: Troy Peteri
Editor: Ben Abernathy
Cover: Alan Quah


Maybe the best issue so far(?)

Mary Marvel and Slade took the centerstage as this series gets close to the end while our group finds themselves inside Flash's museum. Does the story continues at its proper pace? Yes. Does the humor continues to land?  Yes. However what graps the attention here is Mary arc and Slade's narration. Her story isn't fully over but you can see a really good conclusion being set up. As for Slade he definitely feels like the same exact character he was back in the 90's during Wolfman's run. And that's all we could ask for. The art continues to fit this series very well. Again, solid recommendation.



Wednesday, November 9, 2022

Dark Crisis #6 Review

 

It took 6 issues but finally 


Legacy War

Writer: Joshua Williamson
Artist: Daniel Sampere
Colorist: Alejandro Sánchez
Letterer: Tom Napolitano
Editor: Paul Kamisky
Cover: Daniel Sampere and Alejandro Sánchez 




The best issue so far, hands down. Finally the action that was needed for this to be a crisis. 
Everything with Jon was the highlight for me, and now it's fair to call this an event about legacy. I still have some problems, like how Pariah and Deathstroke are used to coment on fanboys who think that everything in the past was better and who hate legacy heroes, feels somewhat shallow and unecessary since we already had a similar thing with Superboy prime. Also, not a fan of some of the dialogue, specially moments like Nightwing trying to talk with Rose but I think it's fair to let that slide. As a Deathstroke fan, it pains me to see what is being done to the character but since we're almost at the end I don't care anymore. This was easily the most fun issue.




Tuesday, November 1, 2022

Batman: Shadow War Overview

 What would happen if M. Night Shyamalan made a comic 


First of all, I would like to explain my point of view. I was following all the titles involved here, I genuinely loved Robin, I thought Batman was not amazing but good and Deathstroke was ok if not good too. Williamson hyped this on twitter as a Batman vs Deathstroke event and I was all in for that, Batman inc. vs the society of Super Villains with Slade as the leader? Please, inject this on my veins. And then this came out. What a waste. 

First of all, this isn't really a war, it doesn't feel like one. Batman: War of Jokes and Riddles is a war. This is a quick, unespired and lazy story. Shadow Hunt would be a better name, but I guess the word war means more sales. 




The original premise is completely ruined by an unnecessary and lazy plot twist. Imagine a similar story but with Deathstroke really killing Ra's and Batman, Robin and Talia going after him. But then a actual war happens, not just the League attacking and huting Slade, a war, that lasts for months. But enough talking about what this could have been, let's talk about what it is. 

Shadow War makes poor use of it's characters. Only Talia and Brion feel like real characters(but not good ones), the rest is just people to be put on covers to sell. 

The new character, Angel Breaker, is a waste of time. She's there in the hopes of making some easy money for the writer if one day they pick her up for something else. She kills a character that already existed for years, Deadline, to show she's serious and thats it. About Deadline, did Williamson read the previous Deathstroke book? Why does he likes Slade now? What about his hand? Anyway. Also, about Slade, just like in Deathstroke Inc he continues to be just a punching bag, and an empty one. He's not a character, he's a plot device. On top of that, he's super out of character. According to Superman himself, Slade is the world's best tactician, but here, he's show as just an idiot with a sword(since that's easier to write). Batman almost does nothing here too, he has a good reunion with Damian but most of the dialogue with the two is insanely forced. Damian almost has a good conclusion about his story with Respawn but then Respawn dies to move the plot. Yes, in 2022 a character gets friged to motivate others. Good job! And we have Geo-force... The character that dies for real here is him. Character assassinated for an unnecessary plot twist. 

The art is just ok if not bad at some points.  Some characters like Respawn can be seen out of model and others with clothes that they should not be using(like, what was that cape with hood Slade uses? Did the artist confused him with the impostor Deathstroke?) 

How it all ends is ridiculous, characters getting defeated in contrived ways that should not be possible. Slade dies again, but this time he needs the Lazarus pit to come back? Did Williamson also not read his own Deathstroke series? This is also supposed to lead in to Dark Crisis but it does a poor job at that too, the connection to Dark crisis comes in only one page at the end that just raises questions which answers keep flip flopping. 

There is also a short story that breaks continuity and makes it so that Slade fought Batman first, therefore, impling he's a Batman related character. And that's super pointless, since after that he's put again as a Titans related character in Dark Crisis. What I'm trying to say is that most of the stuff here has no reason to exist. It has no vision, no purpose, no planning, no consistency. 

The tie ins are also pointless, making everything feel like a joke even. 

This is nothing but another soulless crossover.





Waller Vs. Wildstorm #1 Review

  A dense political thriller starts Book One  Writers: Evan Narcisse, Spencer Ackerman  Artist: Jesús Merino Colorist: Michael Atiyeh  Lette...